Ancient Voices

A Museum to honor the least known people in North America, the Original Tribal Women


Pottery

Maricopa
Maricopa is located near Phoenix, Arizona.
The pottery is distinguished by its dark red color.


The Maricopa people were small bands living along the lower Gila and Colorado rivers. Each of these bands migrated eastward at different times. The Xalichidom (Maricopa of Lehi), left around 1825-1830. The last of these bands is said to have left the Colorado River in the late 1830's. Eventually these bands came together and became collectively known as the Maricopa. As they migrated eastward, they came upon the Pima tribe and established a relationship. Both tribes provided protection against the Yuman and Apache tribes.

The Salt River Pima-Maricopa Indian Community is surrounded by Scottsdale, Tempe, Mesa, and Fountain Hills. Established in 1879, it is home to two tribes, the Pima and the Maricopa Indians. About 6,000 people live at this community, which covers a little more than 52,000 acres.


Maricopa pottery

This pottery was made by Ida Redbird
1892-1971

Ida Redbird spent her entire life on the Gila River Indian Reservation. A member of the Maricopa tribe, she learned the craft of making the distinctive dark red Maricopa pottery.

Although she didn't travel herself her name is known where-ever pottery experts live.

The following is a partial history of her life, taken from a book and from museums. From it we can deduce that she was an innovative, bright woman who spoke English, knew natural medicines, was married, had at least one son, was artistic, cared about her tribe and was respected in both her field and her life.

"Ida Redbird, a tall and exceptionally handsome Maricopa, is well informed on medicinal plants and is one of the two best potters on the Maricopa Reservation; indeed her pottery is of surpassing excellence in design and finish, and invariably wins prizes at exhibitions."

"Ida Redbird whom I had brought from the Maricopa Reservation as interpreter"

"Ida Redbird, had learned the medicinal value of the elderberry blossom"

"My Maricopa informant, Ida Redbird, revealed the following: 'To prevent infection in the navel of a newborn child, mesquite gum is pounded into powder and mixed with very fine sand strained through cheesecloth. The compound is then tasted, and if not too bitter, it is sprinkled on the navel and pressed down. For pink eye, Ida's uncle used to pound the green mesquite leaves, boil a handful in water, and place them on his eyes, a treatment that gave him relief.'"

"Ida Redbird's husband, a Maricopa, boasted that eating the spurge while driving cattle would not affect him. However, on one occasion he ate too much and was forced to dismount, vomit, and roll around on the ground in great pain. This tale of hlm was related by his son. Now, when constipated, the same man isolates himself and eats a small quantity of spurge which acts as an emetic and a laxative, but it cures his trouble."

The above all taken from the book 'By the Prophet of the Earth' by L.S.M. Curtin

Ida Redbird was a well respected woman who was a leader of the Maricopa Pottery Cooperative that she helped to establish in 1937. She was one of the potters and their spokeswoman who worked with local and regional museums to form the Cooperative. Between 1937 to 1940 the twenty women members, (including Mary Juan, Pearl Miller and Lula Young,) who subscribed to standards of excellence, strove to put Maricopa pottery in the spotlight by building a retail market for their work and establishing a relationship with dealers, galleries and buyers of their work the Cooperative also included special demonstrations and exhibits. However lack of transportation, World War II, and accompanying shortages and rationing and the death of one of their strongest members were all factors that stopped the Cooperative from working.

Ida served as the first president of the Maricopa Pottery Makers Association (MPMA) and was renowned as the best-known potter of the tribe. She shared her talents through pottery-making sessions held in various school districts and at the Heard Museum.

The Ida Redbird Scholarship Endowment was created to honor her and in 2003 the Ida Redbird Elementary School in Mesa AZ was named after her.

Ida Redbird is also inducted into the Arizona Women's Hall of Fame.


Pot by Mary Juan who was one of the most famous of all the Maricopa Indian potters and a member of the
Maricopa Pottery Cooperative.

Mary made fine pottery for many of her 85 years


Mary Juan - Maricopa
1892 - 1977

Mary Juan decorating with a dilution of mesquit gum and toothpick - after first firing. Maricopa. January 31, 1921.
Edward Harvey Davis (87:16080-452)



Dorothea Sunn-Avery

Dorothea Sunn-Avery, 40, is one of the last of the Maricopa potters of the Gila River Indian Community. At age 6, Sunn-Avery began learning how to make pottery by helping her grandmother, Mabel C. Sunn. (adjacent)

A decade ago, she worked her way off welfare by making and selling pots.  "I couldn't handle being on welfare," she said. "After four years, I couldn't stand it anymore."  Today Dorothea teaches others so the tribal tradition will survive.  Heard Museum gift shop director Bruce McGee said Sunn-Avery's work has garnered a following from collectors who regularly ask for her work.  "I see the deep red, the ruggedness of the color as representative of the people; the design or the fine lines show off the softer side of the people," McGee said holding one of Sunn-Avery's vases. "It would be a real shame to lose this. To lose the art of a people is to lose the people themselves."

She has formed the Pee Posh Project with Yolanda Hart Stevens, another potter, to keep the art alive.


http://www.azcentral.com/news/articles/1119Pots19.html


This jar was made by Mabel C Sunn

Mabel Sunn was famous for the Polychrome Frog Effigy Vessels, her frogs follow a similar design style while the black-on-red design of the bowl changes to give each piece it's own special character.

Please click on the links below to see the various pottery families.

 

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Museum Research & Curator Gloria Hazell
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©August, 2006